Sunday, June 24, 2012
Please note: if your answer to any of the below is "movie magic", fair enough, point made. But what I am really interested in is any cool explanations and speculations for how it might actually work as a story, sci fi or not.
Question 1 (has many parts). Did the Engineers pop along to earth 3.5 billion years ago to start all of life on earth.. or 85 million years ago to start just the primates.. or between 400,000 and 250,000 years ago to start homo sapiens?
How close was the the DNA match between humans and engineers?
How quickly does DNA in general change with evolution? I am wondering this because if the story is asking us to believe we are an exact DNA match with the Engineers, then there is a big puzzle regarding how we turned from crumbling Engineer who drank the black juice to a new race a) within a short enough time that our DNA stayed the same and b) how we managed to "inject" ourselves into the fossil records?
I can imagine that they popped along to earth at any of the times listed above and that their tech is somehow so super smart that it could have even have triggered homo sapiens at any time in the chain - maybe it was like some sleeping function in the DNA that waited for the right conditions before working its magic?
Question 2. Why did they trigger the cave paintings to be made? (And was it indeed an invitation or something else?)
Question 3. Of course, the third question is the same question asked in the movie: why did they change their minds and decide to destroy us with alien black goo?
My pet theory for 2 and 3 is that they were truly interested in creating life and leaving a sign to see if we could grow up enough to follow it. But then over the proceeding thousands of years, their society changed and became more aggressive, more warlike. Perhaps they suffered a terrible war? Perhaps they even had a war with another species they created? Perhaps they have been seeding the galaxy for millennia before they popped along to earth and one of their earlier creations came to fruition, found the Enigneers and started a huge war that was so bad that the Engineers got scared and decided they should destroy their other creations before the whole thing could happen again?
What do you think?
I posed this question on IMDB too. :)
Monday, June 18, 2012
In case you don't know, Mike Daisey does theatrical monologues that have a social conscience behind them. He did one about Steve Jobs, Apple and Foxconn (who makes devices for Apple and just about every other big tech company in the world) called The Agony and the Ecstacy of Steve Jobs. None of the themes were new:
- Steve Jobs was brilliant but also ruthless and a lot of people found him impossible to work with (watch Pirates of Silicon Valley).
- Foxconn is in Shenzhen, a huge industrial city controlled by corporations where working hours and conditions make for a soulless, depressing existence for thousands of people (see The stark reality of iPod's Chinese factories - August 2006).
- Steve Jobs knew about these conditions and still went ahead with production of Apple hardware there (like every other big hardware manufacturer). Steve Jobs spoke about this in an interview at the 2010 D8 Conference - here is a three minute extract where he specifically answers this question about Foxconn.
The monologue is an attempt to prick our conscience: to remind us that our tech has a human cost. It is powerful stuff. It got featured on This American Life, and was then retracted because they "learned that many of Mike Daisey's experiences in China were fabricated". This American Life made another episode all about the retraction, and I must say that Mike Daisey's answers were not forthright enough: I think he should have said outright that this work was a fictitious account, but based on facts - and if there was a reason why he couldn't use his exact experiences in the play, he should have stated those reasons. I think that his monologue should have been entirely factual in the first place, because all the controversy has diverted attention away from the message and can only cause distrust in Mike's work amongst people who might otherwise have been open to hearing what he has to say.
Richard Pettifer performs the monologue and places it in the context of the controversy from This American Life. He does it very simply, by playing an extract of the retraction episode before and after the monologue and wearing a t-shirt with "Liar" printed on it throughout. Richard's delivery of the monologue is intense - I saw the emotion in his eyes and it resonated with me. He told a story I certainly related to about how our lives change with technology, about loving our favourite devices, and about a sense of disillusionment that comes from knowing a few truths behind the construction of this wonderful technology. Richard's presentation was sparse, which suited the venue and allowed me to focus so much more on his delivery. The way he put the monologue within the context of this recent controversy shifted the central theme of the monologue for me in a very interesting way: knowing that Mike Daisey's account of his visit to Shenzhen was not entirely accurate, is there enough truth for us to still be concerned about conditions at Foxconn? Can a liar still be telling us the truth?
The venue is worth commenting on here, because La Mama's plays a very important part in any production set there. La Mama's is small: it only seats maybe 20 or 30 people. When you sit in the front row, you are less than two meters away from the performers. There is no anonymity here: the actors' stare hits you full in the face - they see you as well as you see them. My first time at La Mama's was to see Strands with my Dad and one of the actresses looked me in the eye when she asked a question and for precious seconds I couldn't decide if I was meant to answer aloud! The point is that the venue brings you so close to the performer that the barrier between audience and participant is very thin - they are not actors on a distant stage: they are people talking directly to you. After the show, the actors will join you in the little courtyard - I enjoyed a very lively conversation with Richard and my fellow audience, and we discussed at length some of the issues involved in the performance. My partner Süheyla expressed a very important consideration: this is not just an issue with Steve Jobs - it is a question about the cycle created by capitalism.
Thank you Richard Pettifer - it was a great performance, and I look forward to seeing what you work on next. Props to you as well for setting up the blog just for this performance.
Sunday, June 17, 2012
About a month or two ago I noticed that video playback on iTunes (on Windows 7) was stuttering - the audio would remain in sync, but every few seconds the video would stutter or freeze for a moment. Audio files play fine. Tonight I updated to iTunes 10.6.3.25 and the problem is still occurring. I experience this issue even when iTunes is not otherwise busy doing something else, like updating an iOS device etc. I checked the drive and it has heaps of space available.
I was going to check if I needed to defrag my drive when I decided to play the very same m4v file in VLC (2.0.1) - and it plays fine! So how's that for a work-around: I won't watch Apple media files on Apple's player anymore. (Playback on my Apple TV unit also seems fine, so I have that too.)
Wednesday, June 13, 2012
One of the stories Bloch wrote while Lovecraft was alive featured Lovecraft as a character, killed by a monster. Weird Tales required Bloch to get the victim's permission before publishing the story, and Lovecraft authorized Bloch "to portray, murder, annihilate, disintegrate, transfigure, metamorphose, or otherwise manhandle the undersigned in the tale entitled THE SHAMBLER FROM THE STARS." In November 1935 Lovecraft responded in kind with "The Haunter of the Dark," in which young Robert Blake (living at Bloch's actual address) is killed by an alien. He dedicated the story to Bloch.Fungi from Yuggoth, see Fungi from Yuggoth on the H.P. Lovecraft site.