Sunday, February 24, 2013

Beware of Bartrak

Now that time has passed, I can write up this experience without the blood boiling so much.

http://www.bartrak.com.au/ (a Melbourne agent for http://www.aamotorhomes.com.au) in Berwick are sharks. Beware if you use them: don't go near them without a print-out verifying *everything* you ordered. And DO NOT PAY until you have seen the vehicle you will get.

Our road trip holiday started out with a nightmare. bartrak.com.au Berwick outright lied to us: we booked a 6 berth automatic and when we got there, they told us they only had a 4 berth manual (we can't even drive a manual). When we complained that this isn't what we booked, the response was: can you prove it? They wouldn't refund us, or even refund us the difference between the 6 berth we paid for and the 4 berth automatic they begrudgingly made appear after two hours of fighting with them. When I rang their Sydney head office, the guy was rude and hung up on me. Since they already had our money and would not refund us, we took the 4 berth automatic.

Once on the road, everything was great. We forgot our troubles and began enjoying ourselves: the motorhome itself was pretty good. The people were not.


Monday, February 18, 2013

Review of Superman Earth One

Superman Earth One [Kindle Edition]

J. Michael Straczynski (Author), Shane Davis (Illustrator)

Brilliant art, good story - could be better

Cover image of Superman Earth One

I enjoy superhero comics that are intelligent, coherent and rewarding.

Superman Earth One is rewarding. Clark Kent experienced a repressed childhood during which he found that he was extraordinary but could never show it. He put up with bullies and never retaliated. He comes to the big city of Metropolis, melancholy and frustrated by being unable to express who he really is and not knowing what course to take as an adult. Enter bad guys, self discovery and the reward of seeing Superman arise.

Clark Kent's development into Superman is coherent. The essential elements of his origin story are nothing new of course, but well told. He finds peace in being able to express himself as a superhero at last and is troubled but accepting of the need to wear a mask at all other times. I enjoyed the portrayal of Clark Kent as a character who is not afraid to look inwards (even though this was thinly veiled exposition through flashback).

However, the story is not as intelligent as I wanted it to be. It is too black and white. I did not find sufficient motive to explain why the bad guy acted as he did and I am not OK with accepting that his entire species would be so utterly ruthless. I want adult comics to be better than that. (Yes, I understand this is a *Superman* comic.) In addition, I did not like one particular sci-fi element in this story involving electrons: it is a minor nit-pick but I thought that element of the story could have been handled differently.

The artwork is great. There is superb detail, colour and expressive characterisation. The way the panels transition from scene to scene is really well done. Sometimes a panel will just focus on an expression - great artistry is required to communicate emotion in these stills and it is here.

The formatting of this comic is extremely well done on the iPad. Double tap and you zoom in on one panel, swipe left and right and you zoom in on the next or previous panel. This makes scene transitions *active*. At last I have seen Kindle comics do what Comixology comics do.

The one big flaw with the formatting is the lack of pinch to zoom - and I really wanted this. The art is so great that often after reading through a page or two as it should be read, I wanted to go back and examine the art in greater detail. I wanted to zoom and pan about to get a really good look. I think this should be added: the art is of sufficiently high definition that it would not suffer from allowing greater scrutiny.

In summary, the art and formatting of this comic is excellent apart from the lack of pinch to zoom; the story is rewarding and I enjoyed this introspective Clark Kent, but wanted a more intelligent motivation for the bad guy.

I would happily recommend this for Superman and comic fans, but don't expect the complexity of motivation you might find in Watchmen.

8/10

This review also appears on Amazon.

 

Sunday, June 24, 2012

Here is what I am pondering about the Engineers in Prometheus


Please note: if your answer to any of the below is "movie magic", fair enough, point made. But what I am really interested in is any cool explanations and speculations for how it might actually work as a story, sci fi or not.

Question 1 (has many parts). Did the Engineers pop along to earth 3.5 billion years ago to start all of life on earth.. or 85 million years ago to start just the primates.. or between 400,000 and 250,000 years ago to start homo sapiens?

How close was the the DNA match between humans and engineers?

How quickly does DNA in general change with evolution? I am wondering this because if the story is asking us to believe we are an exact DNA match with the Engineers, then there is a big puzzle regarding how we turned from crumbling Engineer who drank the black juice to a new race a) within a short enough time that our DNA stayed the same and b) how we managed to "inject" ourselves into the fossil records?

I can imagine that they popped along to earth at any of the times listed above and that their tech is somehow so super smart that it could have even have triggered homo sapiens at any time in the chain - maybe it was like some sleeping function in the DNA that waited for the right conditions before working its magic?

Question 2. Why did they trigger the cave paintings to be made? (And was it indeed an invitation or something else?)

Question 3. Of course, the third question is the same question asked in the movie: why did they change their minds and decide to destroy us with alien black goo?

My pet theory for 2 and 3 is that they were truly interested in creating life and leaving a sign to see if we could grow up enough to follow it. But then over the proceeding thousands of years, their society changed and became more aggressive, more warlike. Perhaps they suffered a terrible war? Perhaps they even had a war with another species they created? Perhaps they have been seeding the galaxy for millennia before they popped along to earth and one of their earlier creations came to fruition, found the Enigneers and started a huge war that was so bad that the Engineers got scared and decided they should destroy their other creations before the whole thing could happen again?

What do you think?

I posed this question on IMDB too. :)

Monday, June 18, 2012

Richard Pettifer is Awesome in The Agony and the Ecstasy of Steve Jobs. You should see him!

I saw Richard Pettifer perform Mike Daisey's The Agony and the Ecstasy of Steve Jobs at La Mama theatre yesterday. It is awesome. You should see it.

In case you don't know, Mike Daisey does theatrical monologues that have a social conscience behind them. He did one about Steve Jobs, Apple and Foxconn (who makes devices for Apple and just about every other big tech company in the world) called The Agony and the Ecstacy of Steve Jobs. None of the themes were new:

  • Steve Jobs was brilliant but also ruthless and a lot of people found him impossible to work with (watch Pirates of Silicon Valley).
  • Foxconn is in Shenzhen, a huge industrial city controlled by corporations where working hours and conditions make for a soulless, depressing existence for thousands of people (see The stark reality of iPod's Chinese factories - August 2006).
  • Steve Jobs knew about these conditions and still went ahead with production of Apple hardware there (like every other big hardware manufacturer). Steve Jobs spoke about this in an interview at the 2010 D8 Conference - here is a three minute extract where he specifically answers this question about Foxconn.

The monologue is an attempt to prick our conscience: to remind us that our tech has a human cost. It is powerful stuff. It got featured on This American Life, and was then retracted because they "learned that many of Mike Daisey's experiences in China were fabricated". This American Life made another episode all about the retraction, and I must say that Mike Daisey's answers were not forthright enough: I think he should have said outright that this work was a fictitious account, but based on facts - and if there was a reason why he couldn't use his exact experiences in the play, he should have stated those reasons. I think that his monologue should have been entirely factual in the first place, because all the controversy has diverted attention away from the message and can only cause distrust in Mike's work amongst people who might otherwise have been open to hearing what he has to say.

Richard Pettifer performs the monologue and places it in the context of the controversy from This American Life. He does it very simply, by playing an extract of the retraction episode before and after the monologue and wearing a t-shirt with "Liar" printed on it throughout. Richard's delivery of the monologue is intense - I saw the emotion in his eyes and it resonated with me. He told a story I certainly related to about how our lives change with technology, about loving our favourite devices, and about a sense of disillusionment that comes from knowing a few truths behind the construction of this wonderful technology. Richard's presentation was sparse, which suited the venue and allowed me to focus so much more on his delivery. The way he put the monologue within the context of this recent controversy shifted the central theme of the monologue for me in a very interesting way: knowing that Mike Daisey's account of his visit to Shenzhen was not entirely accurate, is there enough truth for us to still be concerned about conditions at Foxconn? Can a liar still be telling us the truth?

The venue is worth commenting on here, because La Mama's plays a very important part in any production set there. La Mama's is small: it only seats maybe 20 or 30 people. When you sit in the front row, you are less than two meters away from the performers. There is no anonymity here: the actors' stare hits you full in the face - they see you as well as you see them. My first time at La Mama's was to see Strands with my Dad and one of the actresses looked me in the eye when she asked a question and for precious seconds I couldn't decide if I was meant to answer aloud! The point is that the venue brings you so close to the performer that the barrier between audience and participant is very thin - they are not actors on a distant stage: they are people talking directly to you. After the show, the actors will join you in the little courtyard - I enjoyed a very lively conversation with Richard and my fellow audience, and we discussed at length some of the issues involved in the performance. My partner Süheyla expressed a very important consideration: this is not just an issue with Steve Jobs - it is a question about the cycle created by capitalism.

Thank you Richard Pettifer - it was a great performance, and I look forward to seeing what you work on next. Props to you as well for setting up the blog just for this performance.

Sunday, June 17, 2012

iTunes Video Stuttering on Win 7 - use VLC Instead

About a month or two ago I noticed that video playback on iTunes (on Windows 7) was stuttering - the audio would remain in sync, but every few seconds the video would stutter or freeze for a moment. Audio files play fine. Tonight I updated to iTunes 10.6.3.25 and the problem is still occurring. I experience this issue even when iTunes is not otherwise busy doing something else, like updating an iOS device etc. I checked the drive and it has heaps of space available.

A search on the Apple Community forums for iTunes video stuttering (or a Google search for the same thing) reveals a lot of people have the same questions with no answers.

I was going to check if I needed to defrag my drive when I decided to play the very same m4v file in VLC (2.0.1) - and it plays fine! So how's that for a work-around: I won't watch Apple media files on Apple's player anymore. (Playback on my Apple TV unit also seems fine, so I have that too.)

Wednesday, June 13, 2012

Two men who killed each other in the most honourable way possible - in prose.

I love the story of the relationship between Robert Block and H.P. Lovecraft: two men who killed each other in the most honourable way possible - in prose.

From the Reader's Almanac post, What Robert Bloch owes to H. P. Lovecraft:

One of the stories Bloch wrote while Lovecraft was alive featured Lovecraft as a character, killed by a monster. Weird Tales required Bloch to get the victim's permission before publishing the story, and Lovecraft authorized Bloch "to portray, murder, annihilate, disintegrate, transfigure, metamorphose, or otherwise manhandle the undersigned in the tale entitled THE SHAMBLER FROM THE STARS." In November 1935 Lovecraft responded in kind with "The Haunter of the Dark," in which young Robert Blake (living at Bloch's actual address) is killed by an alien. He dedicated the story to Bloch.

I got to searching this out by listening to Drabblecast 213 – The Haunter of the Dark. Drabblecast is about the most amazing podcast in the entire known Universe btw.

For the full text of the other piece featured on that Drabblecast episode, the poem Fungi from Yuggoth, see Fungi from Yuggoth on the H.P. Lovecraft site.

Saturday, April 21, 2012

This Easter

This Easter I spent an eventful and sorrowful week with friends at the Gold Coast, in a little suburb called Mermaid Beach right on the coast, with such rough waves that it was perfect for surfing. It so happens that there is a modest tower on the beach that used to be a light house some hundred and twelve years ago, but which has recently been converted into a bell tower, used for signaling the beginning and end of the local surf events. On the day of my arrival, a surfing festival was running for that week and there was a commotion around the tower. Upon questioning, I learned that a man of extremely short stature, a humped back and no arms had shown up and asked for the recently vacated job of alarm activation specialist at the tower. We all watched a demonstration of his skills: after climbing the modest, but still rather tall tower, he made a mighty leap and struck the bell with his head! The sound was clear and pure and indeed he did not seem hurt by this. For two days I would walk down the beach each morning and hear him perform his duties so admirably. But on the third day, I was passing the tower as he made his leap - and the poor fellow missed! He tumbled down some ten metres and fell to his death on the sand below. A crowd of us gathered around as the police arrived, and the sergeant asked if any among us knew his name. With tears in my eyes, I responded honestly: "no, but his face rings a bell."

The poor man was identified later that day and his family notified. We were all downcast, but the next morning I cannot say that I have ever been more surprised to find that, when I took my morning stroll, there was another man of extremely short stature, a humped back and no arms climbing the tower. Upon enquiring among the gathering crowd, I learned that this man was the sibling of the earlier misfortunate alarm activation specialist and, in memory of his sibling, had applied for the same position. I stood still as the man reached the top of the tower, stood facing us bravely for a short moment and leapt into space - but missed the bell! We gave out a collective gasp of shock as he too fell that same ten metres down to his death on the sand. The sergeant was once more called to the scene and in a low voice asked if anyone knew the man's name. Again with tears welling I replied "No I don't know his name, but he is a dead ringer for his brother."

Tuesday, February 28, 2012

It was the sound

It was the sound of a cockroach slowly crawling out of my ear and across my pillow, its feet making tracks on my linen with the sticky resin of an over-drawn thought trying too hard to become a dream. It was that sound that brought me renewed wakefulness, and a strange clarity regarding the negative affects of drinking coffee at 11.30 at night. 

Friday, December 30, 2011

WriteRoom on iPad: Search Done Wrong

Updates.
- Tuesday 3 January 2012, 02:06:50 PM: WriteRoom (on iPad) actually does have margin tapping virtual cursor keys.

I use WriteRoom on my iPad and iPhone every day. As a straight text editor (as opposed to say a rich text editor or code editor), it is excellent. It syncs with Dropbox in the background. It has TextExpander support. It has a simple and functional UI that intelligently uses the iPad's larger screen real estate. Also on the iPad, it has a great strip of helper keys on top of the keyboard; this strip can be customised and includes cursor left/right by default.

But now that I have 20+ relatively LARGE files that I use regularly for different purposes, search is becoming more important. I am going to switch editors if Hog Bay Software do not get a decent search function into WriteRoom.

Search currently does nothing except narrow down the file list to show only those files whose text includes the search term. For every day use, this is almost USELESS. Search should highlight matching terms in the current file and give you next/previous buttons. It should also offer you the ability to use regular expressions.

Don't get me wrong: searching across multiple files is good - as a secondary function. Rarely do I need that, and if I do, it should still offer the same functionality as regular search: regex, highlight, next/previous buttons.

For a different view (that doesn't mention my qualms about search but does criticise handling of folders), here is an excellent review of this app: WriteRoom: Getting iPad Writing Right by William Deal.

As a side note, I was reading Charlie Sorrel's review of Scribe (another text editor for iOS): Scribe, an iPad Text Editor With HTML, Markdown for the iPad on Wired.com. Charlie mentions another cool feature that WriteRoom on iPad has - and which Scribe doesn't have. Quote: a single tap in the margin to move the cursor one character at a time. It’s like virtual cursor keys, and works way better than Apple’s way to move the cursor (tap, hold, drag, pray). Cursor left/right keys are great - but this mechanism is greater still.

Wednesday, November 30, 2011

Skyrim Déjà vu

I had just killed a giant frostbite spider in a dank, smelly, cobweb filled room deep underneath the long abandoned Bleak Falls Temple - long abandoned except for monsters and bandits! Panting from the effort, the tingle of spark and frostbite energy still in my fingertips, blood dripped down my right arm from a particularly bad gash. The pain was there, immense, but I was beyond it - still caught in the rush. I had killed the thing by myself; I used no weapons, just the combination of burning and freezing energy pouring from my hands. I had real power!

But adrenalin can only last so long when the hurly-burly is completed, and shortly the distant burning in my arm become an overbearing agony. I stumbled and half fell against a boulder nearby, gasping raggedly as my vision swam. I tried to focus, to examine the pain and gaping flesh. The wound was bad, but I could not feel the blackness of poison - it was only pain. Only pain. I forced myself to still, to relax, to breath deeply and let the pain run through me but not override me. I clenched my left fist, remembered the patterns I had learned for healing and visualised those patterns as white lines blossoming open in my left fist. The energy came, expanded to fill all the places taken by pain. I watched as the torn flesh of my arm knitted closed. I touched the skin, still wet with blood but now whole. I wiped it away with a ragged sleeve. My bloodied robe does not bother me.

Now that I can breathe easily again, I look at the huge corpse, and an idea comes to me. I want to try a new spell, something dangerous, something that still worries at my conscience: can I raise this corpse as a zombie? I have not tried such a thing before, and the idea seems sacrilegious. I studied the book back in town, chill creeping through me as I mouthed the words to myself. Dare I take this step? Will I have the strength to keep my honour intact, or will this be an irreversible act of depravity that damns my soul? Necromancy is dark magic; I have heard many stories of its practitioners, old before their time and twisted by unnatural desires. I do not want to be one one of those ghouls that obsesses over the realm of death.

No, I will not become that. I am more practical. I remember very well the spider getting close enough to rip at my flesh. I made a mistake: I let the enemy get close enough to use its formidable attack. I am no fighter, who can go toe to toe with an enemy. I need something in my way. What better something than the risen corpse of an enemy? My mother always said: "re-use, recycle."

So I began the spell, dark words dripping from my lips, a ball of energy forming in my clenched fist and visions of moist earth and midnight in my mind. I opened my fist. The energy shot towards the corpse. Immediately the inanimate thing began shaking, streams of blue energy circled the corpse, lifting it into the air. I took a frightened step back, but it was too late now: whatever infernal process was taking place could not be halted. The corpse turned over in mid-air. Sickeningly, the limbs of the spider un-curled, straightened. Then it came down, dead limbs taking weight once more. Multi faceted eyes stared at me, as un-readable in death as they were before. I could still smell burnt spider hair, still see the scorch marks and deep cold burns scored deep into its flesh. It swayed... waiting?

I took a step away - and with horror saw the thing lurch after me, it's movements essentially the same, but somewhat jerky. Mechanical almost. I took another step, then another. Like a thing tethered to my ankle it followed me. Spider bristles rubbed together making an eerie sound in the silence now that the form had no will of its own. My skin prickled with goosebumps, but the elation was in me again as I bore witness to my own power manifest.

The spell would only animate this corpse for a short time. I was sure that in this part of the mouldering temple, no other enemies would be present near the nest of such a creature. With no enemies to test my undead guardian, I determined to find out for myself what punishment it could take. Sparks and frost leapt from my hands again, striking the spider who just stood there. It swayed with the impact but did not resist, even as its carapace was further scorched and frozen.

I cannot describe the feeling of power that leapt in my veins, chords of an unearthly music deep in my soul. The thing was still standing after my short burst. I closed my eyes and grinned with the memory playing against the backs of my eyelids. And then heard it move. Shocked, I opened my eyes and watched as it lurched, and then again - towards me! Sick dread coursed through my gut. Whatever energy animates the thing and binds it to my movements, there is obviously a greater imperative. I circled away from the beast, I wondered if its animating energy would run out before my own... and readied myself to face the creature again.

Skyrim Déjà vu.

Wednesday, November 09, 2011

Birthright by Rick Partlow

Birthright [Kindle Edition]

Rick Partlow (Author)

Amazon page.

7/10

Ripping yarn, with lots of sci-fi action: guns, fisticuffs, space combat, some huggin' 'n' kissin', intrigue and some great bad guys and better good guys! There is plenty of rumination over legitimate moral issues, but this story isn't about that. In the end all the morality amounted to was this: loyalty, family and friendship wins the day. It's escapism, but really pulled me in.

This book needs a good edit: there were plenty of spelling and grammar mistakes here that distracted me just a little bit.

What I like most about this story is all the military sci-fi, weapons and enhanced humans - some great kick-ass characters. I would like to read more of Caleb.

Friday, October 21, 2011

Missed!

I am walking along the street right now, headed towards the train station when from above and barely fifty centimeters in front of me comes the wet sloppy splatter of a distressingly large (pile? collection? load?) load of bird poop, white and steaming on the wet pavement. I crane my neck and see two crows staring down at me. "You missed!" I call and then move on. I swear I heard their returning cackle. "This time.."

Thursday, October 13, 2011

How do you decide whether to dictate, type out or hand-write a piece of writing?

How do you decide whether to dictate, type out or hand-write a piece of writing?

I have always had a minor passion for writing, and I enjoy the process of settings ideas out and slowly filling them out, trimming them down or deleting them altogether. This is easiest to do on a computer - so easy to cut, copy paste, organise, Google and re-write. Being able to touch type makes this process an almost organic extension of my consciousness.

Hand writing is a different sort of pleasure. I used to get lost in handwriting in a similar way, but often I felt like my thinking slows down to match my hand-writing speed. I would re-write and draw lines to indicate which bit is meant to go in between which other bits. It was hard to transcribe my writing, but fulfilling because it was a conscious editing step.

In the last decade, the only hand-writing I do now is writing meeting notes at work - but even then I love organising the notes as I go, and doodling! Building up small doodles to fill a page feels good too.

Now I have an iPad with a keyboard case that feels comfortable to use for short periods; I can almost thumb-touch type on my iPhone without looking at the keys.. I can easily spend the entire train trip home just writing out a message or blog post. And drawing apps make me feel like an artist, even though I blanch at every creation. :)

And then I discovered Dragon Dictation on my iPhone - and how it gets about 70% of my words correct.. mangling names but getting the bulk of it right. I find myself stopping and starting a lot - both when I type and when I dictate into my phone. But during dictation, the pauses seem more pregnant, more expectant and I find myself stressing out at being unable to immediately go back and change a word or fix up a capitalisation. I can get out short bursts a lot faster only if I am "on track".

And with Dragon Dictation on the phone - every time you hit "stop" you have to wait while it sends the audio up to the server for translation before giving you back the text, which I feel compelled to edit before going on. But at the same time I wouldn't like to use a recorder, because I find the process of transcribing audio to be far too odious, and lacking the potential of being a true editing step because you have to focus on just typing out what you are hearing.

They have such different characteristics. I love hand-writing but prefer typing.. I feel that dictation should be the fastest but can't get into the flow. Which do you find better?

I posted this first on \writers.stackexchange.com as Handwriting vs typing vs speaking, but I enjoyed writing it so much that I posted it here too!

Thursday, September 01, 2011

Scammers watching gumtree.com

Recently, I put up a few ads on Gumtree, listing my phone number. The first three responses I got were SMSs from scammers that included a short message that didn't reference any particular item. Being new to Gumtree and not having received any other response, I was suspicious but willing to at least reply and find out for sure. Well, now I am sure. I am showing these messages here so you can be sure too.

SMS text: Is the price of your funiture ad on gumtree.au negotiable ? please email me at peterson191live.com.
Naïvely, I responded via email with a list of URLs for all of my postings. the response is below.

Thanks for the response,i will take the hotpoint conditional and refrigerator for $800 including PayPal surcharges since i am interested in the immediate purchase.I just moved to the United Kingdom,where this is needed and i will be making use of a shipping company to have this picked up from you .Further arrangements will be made with you in regards to the pick up once i have paid you.I would appreciate if you email me with more pictures (if available) too since i won't be be able to see this in person,what's the PayPal email to send funds to in order for me to pay you ASAP.
Thanks
Chris

The next SMS was even more abrupt: kleverhjay@hotmail.com condition of your posted items please. I responded via email with: Please specify what items you are interested in. Thanks. The response is below.

Thanks for the swift response...I am willing to know the lowest price
of it.due to the nature of my job and location...i will not be able to
come for inspection,am a very busy type as i work long hours
everyday,i have gone through your advertisement and i am satisfied
with it.
As for the payment..i will be paying you via the fastest and secure
way to pay online(PayPal).
I have a private courier agent that will come for the pick up after
the payment have been made ...so no shipping included.
You can now send me your PayPal email so i can pay in right away and
also include your address in your reply.If you don't have a paypal
account, you can easily set up one...log on to www.paypal.com.au and
sign up. its very easy.I await your reply asap


I have had a couple of others since, but I think they all share a couple of key factors to make them recognisable. Broken English and obvious lack of written communication skills is a good sign, but not definitive. A stronger sign is that they don't reference a particular item by name, since the email is probably generic and sent to as many targets without modification as they can reach. The best sign is an offer to buy without inspection. How this all works as a scam is beyond me: perhaps they would eventually ask for a bank account number.

Gumtree has a FAQ section that is worth paying close attention to: How do I stay safe while using Gumtree? To me, the most important key points are:
  • Meet in-person to see the item and exchange money.
  • If something sounds too good to be true, it probably is.


Monday, August 29, 2011

People around me on the train

People around me on the train. A woman reads a chemistry paper, printed copy. A man reads from an Android phone. Two men looking at iPhones with earphones in their ears. Another man reads a Kindle book on an iPad 2. A woman scrolls through happy weekend photos on her iPhone. A man with a big pair of headphones on and cool shades bops his head while scrolling something on an Android phone. Another man two finger iPhone types descriptions of people be sees around him on the train.





Location:St Kilda Rd,Southbank,Australia

Tuesday, August 16, 2011

Crippleware on the iPhone

Many apps have a free and paid version. If you pay money, you get the advanced and uber-cool features, while basic features are free. Software creators have every right to set whatever price they wish for their work and the line between what features should be free or paid is wherever the software creator says it is. It is then up to users to decide whether the software is worth the cost.

Some apps claim to be free while putting very basic functions behind a pay wall, making real use of the basic version either impossible or extremely frustrating (see crippleware). The most benign form of crippleware are trial versions or apps that at least tell you in advance what you can expect. Note that benign here just means "really frustrating, but at least you know what you are getting."

Kilojoule & Calorie Counter by ShapeUp Club for the iPhone is, in my opinion, crippleware. From what I can see it is the only app that lets me use kilojoules rather than calories - I live in a metric country thank you! To find a food, you can drill down through their database or perform an in-app search that hits the internet. There is also a tab in the app for "recent" food items, so you don't have to repeat the process over and over to find the same food again.

Except that in this app, when you hit that tab it says you have to pay. And not just pay $5 or $10 for the Pro version of the app. They want you to subscribe to the ShapeUp Club for $38 per year. I don't want to subscribe to a club: I don't want to participate in anything their website has to offer. I only want to use the app. Given the nature of this app is about choosing food items several times a day, I consider the "recent" tab to be a basic function.

I would have been prepared to pay $5 or $10 for a full version. When I contacted ShapeUp Club and asked if they would provide a Pro version without the subscription, they replied:

Most part of ShapeUp Club is free to use, but we also offer a gold membership for more advanced features. I'm sorry that you think this is expensive, but you can try to buy one month subscription if you want to test the features and see if you like it.

I hope you will enjoy our service!


What a shame. So now I use MyFitnessPal on the iPhone, which I thoroughly recommend to anyone - it doesn't have kilojoules, which is a big shame. But it is free, and has the "recent" foods option available.

While I am on the topic, UNO Free! is the most blatant and repugnant version of crippleware I have ever seen on the iPhone: it lets you play one card and then quits, telling you to buy the paid version.

Saturday, April 30, 2011

I have become the vessel for the mote in my eye




They did not come in an armada of outer space ships whose energy drives obliterated the horizon and global communications. Instead, they came in an onrush of colour that occluded my vision and subsumed my consciousness. I have become the vessel for the mote in my eye.

Wednesday, April 27, 2011

Wishlist for iPhone/iOS/iTunes

These are all things I wish I could do without jailbreaking my device. I don't want to jailbreak my device, mainly because I want to keep up with the latest updates and not worry about continually jailbreaking my device after each update.

I wish the Apple cloud would remember what I have paid for.

Having had an Android phone for a while, the most consistently annoying thing about iTunes is that your app purchases aren't remembered "by the cloud". On an Android phone, the Android Marketplace remembers what apps you have purchased and lets you download them again without paying - even if they are not currently on your device.

This is important because after a few years of owning iTunes based devices, I have around a thousand apps on my PC - only a small part of which I can even fit on my iPhone at once. When I am at work (or anywhere away from home) and see a review for an amazing iPhone game or app, I often first wonder "do I have it already?" Most times I won't get the app because I can't remember if I already paid for it; I don't want to risk paying for it again, so I usually just forget about it altogether.

iTunes can really learn a thing or five hundred from the Android Marketplace - you can see all the apps you have purchased, you can register multiple phones and install apps to a given device from the web. Amazing.

I wish there was a quick settings app.

I wish there was an app that would quickly let me change basic settings like toggle wi-fi, bluetooth, 3G etc - like My Settigns Pro on Android.

I wish I could do more with folders.

I wish iOS had a better folder model - one that lets me change how many icons it can store, nest folders, rename icons, handle scrolling within folders etc.

I wish there were better camera controls.

Perhaps this is a hardware issue, but I wish I could control ISO settings, shutter speed etc on the camera.

I wish there were alternative soft keyboards

I want to have a choice between the built in keyboard or Swype or Shapewriter. There was a small number of keyboard apps, but they have all disappeared from iTunes.

Friday, January 07, 2011

Goodbye Nebulous. I love you. I will miss you.


Update: 9th of January, 2011. Recieved a letter from the Vet we took Nebulous to.

She died today, Thursday the 6th of January 2011. I had to put her down because of a hyperthyroid condition and cardiomyopathy; she spent her last day gasping for breath, unable even to miaow, disoriented and perhaps in growing pain. Süheyla watched over her, the last day; she gave her the best care. But Nebulous was unable to walk, her left hind leg failing from a blood clot that separated from her heart; she wouldn't eat and couldn't drink at the end. She had been struggling for a week. I took her to the Glenvale Vet on Tuesday when I noticed her go into wheezing fits any time she was picked up. (And she was so skinny, her ribs poking out, too clearly delineated.) Rohan - the veterinarian - gave me two sets of tablets for her, but within two days she would not even eat.

On Tuesday, Rohan had a grave manner, soft spoken; it was the first time I had come to him, being the local vet in a new neighbourhood. He explained that he heard fluid in her lungs and her heart beat at twice the expected rate for a cat. He was 99% sure her heart was "too big" but that there was no way to be sure without performing exactly the kind of invasive tests that might kill her anyway - especially given my description of how she reacted last time we tried to deal with an ingrown claw.

Today I came home from work ready for a swim in the pool, but it soon became obvious that Nebulous was at the end. She could not walk, but lay on her side without seeming to know where she was. She was breathing through her mouth in short, sharp gasps, and Süheyla explained that she had seen Nebulous twist suddenly during the day; thereafter being unable to use her left hind leg. At first I hoped she would make it through the night at least. I petted her, and realised that it was a death watch. I rang Rohan - and he stayed open long enough for me to bring Nebulous in.

Now I can only remember you Nebulous; my companion for so long. She was with me in primary school, high school, university; she lived in my first house away from Mum and Dad and my first house with my new family, Süheyla and Talya.

Nebulous showed up in late November or early December of 1984. I met a school chum Tim, who was carrying around a box with two kittens; a beautiful white one and an ugly grey one. I wanted the white one but needed permission first. I went home and asked Mum: "ok, but Dad's the sticking point. Tell you what, bring home the kitten and we will make it Dad's birthday present!" I found Tim again, with the asking price of $5, but he only had the ugly grey one left. Oh well. I took her home and lay on Mum and Dad's bed with her nestled on my chest. I remember almost falling asleep until - what, she just piddled on me!

When I was away, studying on campus at Monash Uni, Churchill, Nebulous would fret until I returned each weekend. As if in punishment she would occasionally vomit on my keyboard at home and - when I returned each weekend - would give me the cold shoulder for an hour or so before letting me pet her again.

When I first moved into a house with Süheyla, she had a beautiful pair of dogs: a German Shepherd named Shiela who would bark whenever we kissed, and a dopey but oh so cute Terrier named Foxy (who was so unbalanced that she would fall over any time she shook herself). I brought Nebulous over after a few days to see if she was OK with the whole situation; as soon as I let her loose in the lounge room, Shiela leapt after her (in my mind all I heard was "LUNCH!") and Nebulous (who I swear heard the same thing) raced up the curtains and taught me just how well cats can ignore gravity when they need to. Nebulous went back to Mum's place after that, even though Süheyla swore "Shiela was only playing - she is good with cats!"

She broke her arm in 2009 and - despite having an unwieldy cast - would still jump up and down from my bed. Indominable; I thought... hoped... she would live forever.

Nebulous was not a playful cat. She liked to sit in odd places; drink water from plants; give and get snuggles. She would lick my arm clean when needed, and lay on my chest purring and dribbling, the perfect massage device for the soul.



Goodbye Nebulous. I love you. I will miss you.




Update: 9th of January, 2011. Recieved this letter from the Vet we took Nebulous to. Form letter or not, the thought and effort is deeply appreciated.


Dear Robert,

On behalf of the nurses and myself we wish to convey to you, our sincere sympathy over your loss of "Nebulous".

We realise what a difficult time this must be losing a wonderful friend and we can only express to you our deepest regret that you can no longer enjoy her company.

Our thoughts are with you.

Yours sincerely,
Dr M.R. Nicholls
B.V.Sc.(Hons)